CARRIE DASHOW

EMPLOYMENT

2009
Adjunct Faculty: Video production, Pace University, NY, NY

2006 - present
Part Time Faculty: New Media: Digital Arts /Video, 4 Studio courses yearly, Purchase College SUNY, NY

2007
Adjunct Faculty: Video production, ICP: International Center of Photography, NY, NY
Part Time Lecturer: Visual Arts/ Critical Studies: Video Art seminar and Media production, Rutgers, NJ

2005- 06
Artist in Residence: The Drawing Center. 2nd Grade and High School projects. NYC Public schools.

2003
Artist mentor and co-curriculum designer for New Technologies in Performance Art.
The Kitchen. Performance media based residency program for College and Graduate students. NYC

2003
Instructor: Eyebeam Digital Day Camp, Focus: Media and public intervention. NYC

2003-04
Teaching Artist: New Media Collaborative. The Kitchen, EAI, Dia and Eyebeam NYC

2002
Instructor: Adult education: Henry Street Settlement. Year-long beginning video class. NYC

2002
Camera/ Editor: In house documentarian: Artsgenesis w/ NYC Board of Ed. and Annenburg Foundation.

1999-01
Assistant Direction: free103point9, Creation and curation of interactive video/audio events and scenarios for local low power radio station. Grant assistance. Brooklyn, NY

1998-01
Co-Director/ Curator: Video Lounge, a Bi-weekly screening series of experimental, documentary and animation videos at the Knitting Factory. OUTER LIMITS international screening. NYC

1998
Resident Artist and Staff Development: Eyebeam, Dia, Drawing Center, Magic Box, Young Audiences NY, Henry Street Settlement, Artsgenesis. Programs funded through The Annenberg Foundation, Project Arts, etc. Working with faculty and students to integrate video and media practices into classroom curriculum teaching from documentary, narrative, media literacy, critical thinking, camera work, editing (analog/digital), animation, live video mixing, video art.

1997-03
Freelance Editor & Camera Woman: Production on various documentary, music, and art programs. Some clients include; Artsgenesis, Board of Ed., DCTV, Capitol Records, Crossroads Film, Segment producer MtvÕs; U-turn, Skip Blumberg; In Motion Productions, Inside Cinema, Metal Machine Music.

1996-97
Internship: The Performing Garage / The Wooster Group. Administrative and theatrical logistics, including the Broadway production of The Hairy Ape. NYC

1998
Organizer: NY screenings and panel discussion of Surveying the First Decade: Video Art and Alternative Media in the U.S. in collaboration with Video Data Bank of Chicago.

1997
Avid editing courses and individual avid tutorials, Downtown Community Television Center, NYC

1996
Film, Video, Animation history tours, workshops, lectures. The Museum of the Moving Image, Queens.

1995
Teacher: Korean Montessori school, Developed original year-long curriculum for students ages K -12 using theater and video to teach English. Yang Ji Institute, Seoul, Korea.

1993
Co Director/ Curator/ Founder: Hole Gallery for Performance, Video and Installation works. SF, CA

AWARDS AND GRANTS

2010
Delaware Center for Contemporary Art: Personal Geography commission, Wilmington, DE

2008
Public Art Fund: in the Public Realm nominee.

2007
Experimental Television Center: Finishing Funds, the 13th screen.
Rockefeller Philanthropy Advisors: New York State Music Fund Grant w/ the TANK.

2006
NYSCA Individual Artist project grant: Subliminal History of New York State.

2003-05
Rensselaer Graduate Fellowship Award: Full Merit Scholarship through Humanities at RPI.

2004
Henry Moore Foundation (Great Britain), project grant for UNDER ISLAND w/ Bercowetz & Bua and GrizedaleArts, exhibited at PS1/ MOMA, touring Chapter Arts Whales, Q Gallery UK.

2003
Experimental Television Center: Finishing Funds, 10 Cameras, Caumsett, Long Island.

2002
Media Alliance Radio Sound Grant (NYSCA):The Unseen Machine (USM) w/ Matt Bua.
Bessie Award: NY Dance/Perf. Awards in Installation and New Media for collaborative MIR2.
Islip Museum group residency and project grant for Colony organized by Ward Shelley.


RESIDENCIES

June & July 2010
DCCA, community residency Wilmington, DE

Summer 2009
Ballibay Summer Camp, Camptown, PA

July 2008 - present
Incubator Studio, Industry City, Brooklyn, NY

Summer 2009 & August 2007
Woodstock Byrdcliffe Guild, Woodstock, NY

January 2007- Fall 2007
The Tank, New York, NY

Novemeber 2006 & December 2002
Experimental Television Center, Owego, NY

May - September 2006
LMCC Swing Space residency, New York, NY

November - December 2005
Woman’s Studio Workshop, Fellowship and residency, Rosendale, NY

October - November 2005
CAC North Adams, Studio residency, North Adams, MA

October 2002- Febraury 2003
Eyebeam Atelier, ASA residency, New York, NY

Summer 2002
Islip Art Museum, residency with collaborators, Islip, Long Island, NY

Summer 1995
American Standard exhibition and residency, Seoul, Korea



BIBLIOGRAPHY / PRESS / MEDIA / LECTURES

New York Times
July 2007, SourceCode, Eyebeam exhibition review.

Lockport Times
Front page, July 2007

Buffalo Rising
July 2007

Canal Times
Volume 2 issue 4, August 2007

Artist Talk
Visual Arts, Rutgers, February 2007, New Brunswick, NJ

Neuberger Museum, SUNY Purchase
October 2006, Purchase, NY

New York Sun
Digging above and Flying Below August 2006, Subliminal History, Gary Shapiro

Artist Talk
Dorkbot (people who do strange things w/ electricity) February 2006, LocationOne, NYC

ResearchNY
(NY State History conference) Oct 2005, Lecture on Subliminal History, SUNY Albany

New York Times
June 2005, Pent-Up and Undergone Jessica Murray’s, Art In Review, Roberta Smith

Artist Talk
Performing Video with Carolee Schneeman and Erika DeVries at Eyebeam, Dec 2003

MacDirectory
Fall 2003, 10 Cameras installation at Eyebeam. Eyebeam, Artists in Toyland, Chris Mace

Artforum
February 2002, Mir2 at Smack Mellon, Julie Caniglia

Zing Magazine
Fall 2002, Mir2 Review, Sabine Heinlein

Village Voice
September 2002, Crossover Dreams. Mir2 at the BESSIES, Elizabeth Zimmer

Audio Dispatch 01
Free103point9 various artists CD. 2001-02

net.art 2.0
Published in Germany 2001 / performing with the Surveillance camera players.

New York Times
November 2001, the MIR2 at Smack Mellon. Art In Review, Holland Cotter

Arts New England
April 2001, The Cook Sisters in The New Vulnerability.
Feature article, Tanya Bezreh

L.A. Times
November 2000, Air Raids, LA Freewaves article including hello GMA.

NOSOLOMUSICA
(Spanish Television) November 2000, Video Art special.

WNYC radio
November 2000, hello interviewed for The Next Big Thing - Arts and culture radio magazine. NPR

SAT 1 TV
February 2000, 5 minute artist documentary by TimeZone aired on German National Television.

Waterfront Weekly
Winter 2000, Review Starring Contest at Metro971, Brooklyn.


SF Gate
January 2000 - Weekly online art column on hello GMA appearance in the SF Chronicle, Beth Lisick

Good Morning America
ABC Television, Jan. 4, 2000 - “Say hello Woman” hello project.
Interview by Charles Gibson and Elizabeth Vargas

New York Times
January 2, 2000 - New York up close, City Section - hello project, Interview by Tom Roe

YTN 24: Korean National Television
July 1995 - Interview on I am not domesticated performance.

NEWSMAKER: (Korean national news magazine)
July 20, 1995 - I am not domesticated performance. Review.


Radio Appearances/Interviews: hello project throughout 2000; KRDO Colorado Springs, 99.3 Springfield MA, KFGO Fargo ND, New Zealand radio...


EXHIBITIONS

2010
- Delaware Center for Contemporary Art: Personal Geography residency & exhibition, Wilmington, DE
- Skirball Center: Projecting Freedom: Cinematic Interpretations of the Haggadah, Spring.
- Tomkins Square Library: Archive of Lost Thought; Lost Rooms edition. TBA
- B-home: Archive of Lost Thought, ongoing. Catskill, NY

2009
- Queens Museum: QUEENS INTERNATIONAL 4 in S.P. Weather Station project, AIR for November 2008.
- Mass MOCA: Under Island included in Matt Bua's Cribs to Cribbage, North Adams, Ma.


2008
- ZERO1 festival, the 13th screen, Adobe Youth Voices, student collaboration, June.
- MoMA: The Subliminal History of New York State: Rosendale Video in April Earth Day celebrations.
- Exit Art: Under Island in E.P.A (Environmental Performance Actions) opening March.
- ICP: Investigating CoHabitation video in Faculty exhibition, Winter.

2007
- Eyebeam: 10 Cameras, Caumsett L.I. in Source Code. Subliminal History of New York State (SHNYS) 13th screen and Shape Note songs in INTERFERENCE. Eyebeam’s 10 yr anniversary exhibitions.
- Subliminal History of New York State: Route of Progress Erie Canal tour 6 stops, 6 public participatory performances and 6 community made 2 channel live video installations.
- Schenectady Museum: SHNYS 13th screen and Shape Note songs. 150 yr. anniversary of Vale Park.

2006
- Gigantic ArtSpace: Under Island book, songs and video in Special Reconnaissance_
- Peekskill Projects: Eat Meat Meteorite public demo (W/ Jesse P. Karlsberg).
- Widow Jane Mine, Rosendale, NY: SHNYS: Rosendale participatory performance.

2005
- CAC, North Adams, MA: SHNYS: Chapter 1 Participatory Performance and Installation
- Jessica Murray Projects: Solo* Pent-Up and Undergone Multi Media Installation w/ Bua and Bercowetz.
- CAC: Under Island evidence in Detourism exhibition, curated by Nato Thompson
- Jessica Murray Projects: Investigating Cohabitation single channel video

2004
- Eyebeam: Vidiviation Performance Installation in the Holiday Hackshop.
- PS1/MOMA /Roosevelt Island: Under Island (w/ M. Bua and J. Bercowetz) Multi Media performance and exhibition.Curated by Grizedale Arts. Traveling show to Chapter Arts (Wales) and Q Gallery (UK).
- Public light event in Downtown Troy NY: Red Light Relay, Connecting West Hall to Fulton St. 2003
- Eyebeam: 10 Cameras, Caumsett Long Island in AIR exhibition.
- The Tank: You Hall Me single channel video piece.

2002 - 2004
- The UnSeen Machine, with Matt Bua. Roving performance vehicle at PS1, DUMBO Arts, Eyebeam, RPI, the Kitchen, Socrates Sculpture Center and streets of NYC & upstate.

2002
- Cutchifritos: The Cook Sisters: Relay (Dashow + T. Hinkis) Video performance in Social Space, curator, David Gibson.
- White Box: Pee on the world as part of MOOV International Video series.
- Jessica Murray Projects: Let me be the trusting one. Video object in Grotto 1.
- Islip Art Museum: Colony collaborative installation, voyage of the Mir2.
- The Kitchen: The Kitchen Cauldron video performance.
- Jessica Murray Projects: You’re the one I Love (25 video portraits w/ J. Weinstein) in About Face.
- Art In General: Cook Sisters: Low key creperie. Video Performance in the Video Marathon.

2001
- Ocularis: War of the Worlds 01 Super 8 collaboration with Ocularis.
- Exit Art: Cook Sister’s Alter Ego Video Performance three course meal in Spunky exhibition.
- Smack Mellon: Mir2 Multimedia international space station collaborative installation.
- Warhol Museum, New York Underground Film Festival Imitation of Kiss with Ocularis
- DEBUT-KINOTAVR FESTIVAL Moscow, Russia: Boy, Lot, Bike video.

2000
- Rencontres Internationales Festival, Paris/Berlin, Aurora Picture Show, Austin, TX, Ocularis, AIR RAIDS/ L.A. Freewaves Festival, UCLA Hammer Museum, CA Museum of Photography, CSUN Northridge Art Galleries, Side Street Live, LA, CA, Freud Museum St. Petersburg, Russia: hello Good Morning America, single channel video.
- Downtown Arts Festival: hello and I am Videotaping You Right Now. Performances and video objects.
- Good Morning America: hello woman guest

1999
- hello project of personal non mediated interaction begins with an attempt to greet 1 million people.

1993-1995
- Instant Gallery, Seoul Korea: Does Your Shadow Prove You Real … and I am Not Domesticated.
- Traveling Noise events: Family Home Evening San Francisco Bay area.


EDUCATION

M.F.A. 2003-05 Rensselaer Polytechnic Institute, Integrated Electronic Arts, Troy, NY
B.F.A. 1992-94 The San Francisco Art Institute, Performance & Video Art / New Genres, SF, CA
1990-92 Antioch College, Communications and Media Studies, Yellow Springs, OH


ARTIST STATEMENT

Carrie Dashow is a New York based artist working in the intersection of video, performance and new media. Through combining and reading space, interaction and energy with an anthropological, formalist and geomantic slant, she finds deep and malleable content. Her work often exists in social and collective situations where it alternates between the possibilities of communication and the energetic points of interaction. She is engaged in using media to extend our capabilities rather than give in to the submissive tendencies of this same media. Treating the subjective as a way to find truth, she has begun to work with ideas of fact and history in relation to our understanding of space. Much of her work takes place with groups of people, either people on the street, communities, relationships and even classes. Using available public tools – a greeting, an island, building, friend, forest, map, history, camera – the undercurrents of visible space are examined. With idea and energy as the axis point, she utilizes multi-disciplinary forms of self-expression from theater, subversion, painting, songwriting, electronics and video to create tactile, experiential and more real than real performances and videos. The work she instigates plays with and questions our psychological understanding of reality, replacing what we see inside out.


AREAS OF SPECIALIZATION

Digital, Analog and Live Video (all stages of production: shooting, editing, authoring), analog video mixers.
Software programs include: Final Cut Pro, Premiere, DVD Studio Pro, Photoshop. Practical knowledge: Avid, Illustrator, sound editing. Practice and History of Video, Performance Art, New Media, Tactical Media, Intervention, Public Art, Documentary, Installation and Conceptual Art. Comprehensive knowledge of Western Art History, Theory and Contemporary Arts, South East Asian Tribal Arts. Research areas include; Education, Folk Arts, Technology, Performance and Ritual, Folk and Protest, Mediumship, Magic, Telepresence, Media Literacy, Communication Histories, History of NY; Industrialization, Erie Canal, Hudson River, Communes, New York Religions and Spiritualism, Islands, Cemeteries, Land Use, Meteorites and Cement.


REFERENCES


Please contact for references.